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	<title>Black Plastic Glasses &#187; Music</title>
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	<link>http://www.blackplasticglasses.com</link>
	<description>Musings on Publishing and life in the Digital Age by Evan Schnittman</description>
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		<title>What&#8217;s Next in Digital Reading?</title>
		<link>http://www.blackplasticglasses.com/2010/03/23/digital-reading/</link>
		<comments>http://www.blackplasticglasses.com/2010/03/23/digital-reading/#comments</comments>
		<pubDate>Tue, 23 Mar 2010 11:15:02 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[Amazon Kindle]]></category>
		<category><![CDATA[App Store]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Authors Guild]]></category>
		<category><![CDATA[Baker & Taylor]]></category>
		<category><![CDATA[Barnes & Noble]]></category>
		<category><![CDATA[Cengage]]></category>
		<category><![CDATA[Digital Publishing]]></category>
		<category><![CDATA[Digital Reading]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[e-ink]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[econtent]]></category>
		<category><![CDATA[Entourage eDGe]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Extractive Reading]]></category>
		<category><![CDATA[Filedby]]></category>
		<category><![CDATA[Follett]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Higher Education]]></category>
		<category><![CDATA[Houghton Mifflin]]></category>
		<category><![CDATA[ibookstore]]></category>
		<category><![CDATA[Immersive Reading]]></category>
		<category><![CDATA[Ingram]]></category>
		<category><![CDATA[iPad]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[Liquid crystal display]]></category>
		<category><![CDATA[McGraw-Hill]]></category>
		<category><![CDATA[Niko Pfund]]></category>
		<category><![CDATA[Pearson]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[Textbooks]]></category>
		<category><![CDATA[XML]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=445</guid>
		<description><![CDATA[The history of digital reading in a fascinating one and I believe exploring its development arc helps predict the trends that may lie ahead. Thinking about what worked early on – meaning what was read in digital form - use cases where search, find, and quick read were the primary means of interacting with the content, such as encyclopedias and reference works, directories and other data driven compendia.

<!--more-->

This was brilliantly summarized in 2003 by Niko Pfund, OUP’s VP of Academic and Trade Publishing, when he referred to this kind of reading as “extractive, as opposed to immersive.” Extractive reading is an extension of search – its primarily purpose is to “extract” information from searched databases. Extractive reading is easily done...]]></description>
		<wfw:commentRss>http://www.blackplasticglasses.com/2010/03/23/digital-reading/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Demand Pricing for Ebooks</title>
		<link>http://www.blackplasticglasses.com/2009/07/20/demand-pricing-for-ebooks/</link>
		<comments>http://www.blackplasticglasses.com/2009/07/20/demand-pricing-for-ebooks/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 10:18:25 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Baker & Taylor]]></category>
		<category><![CDATA[Barnes & Noble]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Costco]]></category>
		<category><![CDATA[Digital Publishing]]></category>
		<category><![CDATA[Dominique Raccah]]></category>
		<category><![CDATA[E-book]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[Fictionwise]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iPod]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[Sony Reader]]></category>
		<category><![CDATA[Trade Publishing]]></category>
		<category><![CDATA[Wal-Mart]]></category>
		<category><![CDATA[Waterstones]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=350</guid>
		<description><![CDATA[A stir was created recently when Sourcebooks announced the delay of the ebook version of a brand new title for fear of cannibalizing print sales. CEO Dominique Raccah said, "Hardcover books have an audience, and we shouldn't cannibalize it," adding, "It doesn't make sense for a new book to be valued at $9.99."  <!--more-->

Is Dominique Raccah making a smart decision?  There are a lot of factors to consider. Amazon has claims that sales of ebooks are 35% of the same print titles on <a class="zem_slink" title="Amazon" rel="homepage" href="http://amazon.com/">Amazon.com</a>.  If the hardcover is priced at $25 and the ebook $10, then one can see Dominique’s point quite clearly – delaying the ebook version could mean that demand for 35% of the...]]></description>
		<wfw:commentRss>http://www.blackplasticglasses.com/2009/07/20/demand-pricing-for-ebooks/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>There Will Be Disintermediation</title>
		<link>http://www.blackplasticglasses.com/2009/05/11/disintermediation/</link>
		<comments>http://www.blackplasticglasses.com/2009/05/11/disintermediation/#comments</comments>
		<pubDate>Mon, 11 May 2009 10:28:06 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[App Store]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Audio CD]]></category>
		<category><![CDATA[Authors Guild]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Digital rights management]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[econtent]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iPod]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[publishing]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=183</guid>
		<description><![CDATA[The first two parts of this series, <a href="http://www.blackplasticglasses.com/2009/05/05/content-disruption/" target="_blank">Disruption</a> and <a href="http://www.blackplasticglasses.com/2009/05/06/generation-on-demand/#more-173" target="_blank">Generation On-Demand</a>, explored my own personal content consumption disruption and traced it through the seismic shift in my reading, listening, and watching habits. My experience seems to align with the generational experience of content at one’s fingertips, on-demand. I called this phenomenon Generation On-Demand because this generation has grown up with and expects that everything and anything (content) be available to them, however, whenever, and wherever they want.

<!--more-->

I traced the dramatic decrease in my own immersive reading, music listening, and TV and movie watching in the last few years and cited my ability to work and play whenever and wherever I want as the primary reasons. Accessing...]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Disruption</title>
		<link>http://www.blackplasticglasses.com/2009/05/05/content-disruption/</link>
		<comments>http://www.blackplasticglasses.com/2009/05/05/content-disruption/#comments</comments>
		<pubDate>Tue, 05 May 2009 09:58:18 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Amazon Elastic Compute Cloud]]></category>
		<category><![CDATA[Amazon.com]]></category>
		<category><![CDATA[App Store]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Barnes & Noble]]></category>
		<category><![CDATA[Barney Miller]]></category>
		<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[Brady Bunch]]></category>
		<category><![CDATA[cable TV]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Harry Potter]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iPod]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[recors labels]]></category>
		<category><![CDATA[studios]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[TiVo]]></category>
		<category><![CDATA[Ulysses S. Grant]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=133</guid>
		<description><![CDATA[<em>Disruption</em> is the first part of a 3-part series on the zeitgeist of the digital era and the significant impact it has on publishing and all other content businesses. Disruption is personal as I look at my own content consumption over the years and document its transformation. There are no answers in part 1, just the facts as I understand them and the questions they spur.
<!--more-->

I grew up watching TV. Born in 1963, life in my era was, in many ways, controlled by the TV broadcast schedule. Before school was <a href="http://en.wikipedia.org/wiki/Looney_Tunes" target="_blank">Looney Tunes</a> and after school hours and hours of crap like <a href="http://www.imdb.com/title/tt0057751/" target="_blank">Gilligan's Island</a>, <a href="http://www.imdb.com/title/tt0058808/" target="_blank">Green Acres</a>, and the <a title="The Brady Bunch" rel="imdb" href="http://www.imdb.com/title/tt0063878/" target="_blank">Brady...]]></description>
		<wfw:commentRss>http://www.blackplasticglasses.com/2009/05/05/content-disruption/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Tommy</title>
		<link>http://www.blackplasticglasses.com/2009/04/26/smithereens-tommy/</link>
		<comments>http://www.blackplasticglasses.com/2009/04/26/smithereens-tommy/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 06:07:40 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[Audio CD]]></category>
		<category><![CDATA[Dennis Diken]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iPod]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Jim Babjak]]></category>
		<category><![CDATA[Keith Moon]]></category>
		<category><![CDATA[Pat Dinizio]]></category>
		<category><![CDATA[Pete Townshend]]></category>
		<category><![CDATA[Smithereens]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[Tommy]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=121</guid>
		<description><![CDATA[In 2006 The <a class="zem_slink" title="the Smithereens" rel="homepage" href="http://www.officialsmithereens.com/">Smithereens</a> did something really unique – they did a covers album. Actually, they covered an album. The Smithereens recorded the <a title="The Beatles" rel="homepage" href="http://www.thebeatles.com/" target="_blank">Beatles</a> breakthrough album, <a title="Meet the Beatles!" rel="amazon" href="http://www.amazon.com/Meet-Beatles/dp/B00008EUK8%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3DB00008EUK8" target="_blank">Meet The Beatles</a>, from the first track through the last.<a href="http://www.amazon.com/Meet-Smithereens/dp/B000025YLP" target="_blank"> Meet the Smithereens</a> is a fun romping and wonderful re-imagining of the spirit of the early Liverpool Beatles as heard through the power-pop chords and Marshall amps of New Jersey’s Smithereens.
<!--more-->

On May 5th, the Smithereens are back at it again with the release of the Who's Tommy. As much as I was ready to roll my eyes at the thought of it – in listening to...]]></description>
		<wfw:commentRss>http://www.blackplasticglasses.com/2009/04/26/smithereens-tommy/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Bang the DRM Slowly…</title>
		<link>http://www.blackplasticglasses.com/2009/04/06/drm/</link>
		<comments>http://www.blackplasticglasses.com/2009/04/06/drm/#comments</comments>
		<pubDate>Mon, 06 Apr 2009 14:47:58 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[AAC]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[App Store]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Audio CD]]></category>
		<category><![CDATA[Babjak]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Cory Doctorow]]></category>
		<category><![CDATA[Diken]]></category>
		<category><![CDATA[Dinizio]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[econtent]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[IDG]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iPod]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[macworld]]></category>
		<category><![CDATA[MP3]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[Smithereens]]></category>
		<category><![CDATA[Sony Reader]]></category>
		<category><![CDATA[XML]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=24</guid>
		<description><![CDATA[Two weeks ago on NPR’s <a href="http://www.npr.org/templates/story/story.php?storyId=102330373" target="_blank">All Things Considered</a> I had a brief sound bite about DRM (Digital Rights Management) and the music industry. What you didn’t get to hear was the larger point I was trying to pull together – which is that DRM is not bad, nor is it good. It is like any tool, only as good (or bad) as it is implemented.
<!--more-->
DRM has gotten a lot of press over the years as there is a quite vocal group who are politically/philosophically, perhaps even morally opposed to any restrictions on the use of content once disseminated.  I call them the “Anti-DRMers.” They come in many forms – from scholarly archivists to Swedish anarchists.  <a...]]></description>
		<wfw:commentRss>http://www.blackplasticglasses.com/2009/04/06/drm/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
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