NB – I have noticed from the amazing amount of commentary this post generated over the last two weeks that there seems to be a misunderstanding of my intentions here. Granted, I chose a very inflammatory title, but this article, especially when taken in context with the follow up piece Discounts Must Align to Risks, is about supporting growth in the ebook market, not predicting its demise. Ebooks are the future and getting there as an industry will require some hard evaluation of how things work and a better understanding of publishing economics.
Evan
This piece is about consumer or “trade” publishing as we call it in the industry. To begin, let’s review how a book becomes a book. A writer gets an agent who peddles a manuscript to an editor who buys the book. The Publisher then pays an advance against the future royalties. (N. B., trade books advances are often, if not nearly always, greater than the actual royalties earned.) The publisher edits, designs, produces, prints, binds, warehouses, and finally, distributes the book to resellers (retailers and wholesalers). Concurrently the publisher is out pre-selling in an attempt to get as many units shipped to resellers as possible.
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Tags: Amazon, Apple, Authors Guild, Baker & Taylor, Barnes & Noble, Books, CoreSource, Digital Publishing, ebooks, econtent, epub, Evan Schnittman, Fictionwise, Filedby, Google, Hachette, HarperCollins, Hodder, IDPF, Ingram, iPhone, iRex, Kindle, Libre Digital, Overdrive, Oxford University Press, Pearson, Penguin, Plastic Logic, publishing, Random House, Simon & Schuster, Sony Reader, Taylor & Francis, Trade Publishing, Waterstones, XML
Jeroen
on May 6th, 2009
@ 3:04 pm:
You’re asking two things here:
1) The question is whether we can deliver immersive reading in a manner that is relevant to Generation On-Demand.
2) What will we need to do as an industry to make that happen?
You already gave the answer: put it in the “clouds”. This will automatically lead to a “usage fee” instead of a “buying fee”. For the consumer than it is important to know what they’re paying for. Is it a product I’m paying for or is it the usage of the content? And is the content mine? Can I resell it or lend it to a friend? No, why not? Next to changing the contract structures I think the transition to e-reading involves a lot of communication to the consumer about what is possible and what is not.
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Topics about London » Blog Archive » Generation On-Demand
on May 6th, 2009
@ 3:52 pm:
[...] Another fellow blogger placed an observative post today on Generation On-DemandHere’s a quick excerptIf I am meeting a friend at a pub in London and he is late, I can pull … doing and doing and doing and doing – never at a loss for things to… [...]
Jeff
on May 6th, 2009
@ 8:50 pm:
Good analysis, though I think issues of reading need separating from issues of access.
Immersive reading might be slippery to define. Those of us who value long-form prose have always been in the minority throughout history. We just hate to confront that reality for fears of being called elitist. As far as “immersive reading” in digital media goes, everyone should look more towards documentary films than print as a content model though there’s obviously not much of a revenue model there. Intellectual property constraints will do more to limit creativity or new forms of “writing” in digital media than on reading and distribution.
I think you’re absolutely right in that the future is about on demand access to material. And that can be in the format of one’s preference (be it digital or print via print-on-demand or even traditional bookstores).
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