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	<title>Black Plastic Glasses &#187; DRM</title>
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	<link>http://www.blackplasticglasses.com</link>
	<description>Musings on Publishing and life in the Digital Age by Evan Schnittman</description>
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		<title>What&#8217;s Next in Digital Reading?</title>
		<link>http://www.blackplasticglasses.com/2010/03/23/digital-reading/</link>
		<comments>http://www.blackplasticglasses.com/2010/03/23/digital-reading/#comments</comments>
		<pubDate>Tue, 23 Mar 2010 11:15:02 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[Amazon Kindle]]></category>
		<category><![CDATA[App Store]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Authors Guild]]></category>
		<category><![CDATA[Baker & Taylor]]></category>
		<category><![CDATA[Barnes & Noble]]></category>
		<category><![CDATA[Cengage]]></category>
		<category><![CDATA[Digital Publishing]]></category>
		<category><![CDATA[Digital Reading]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[e-ink]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[econtent]]></category>
		<category><![CDATA[Entourage eDGe]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Extractive Reading]]></category>
		<category><![CDATA[Filedby]]></category>
		<category><![CDATA[Follett]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Higher Education]]></category>
		<category><![CDATA[Houghton Mifflin]]></category>
		<category><![CDATA[ibookstore]]></category>
		<category><![CDATA[Immersive Reading]]></category>
		<category><![CDATA[Ingram]]></category>
		<category><![CDATA[iPad]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[Liquid crystal display]]></category>
		<category><![CDATA[McGraw-Hill]]></category>
		<category><![CDATA[Niko Pfund]]></category>
		<category><![CDATA[Pearson]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[Textbooks]]></category>
		<category><![CDATA[XML]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=445</guid>
		<description><![CDATA[The history of digital reading in a fascinating one and I believe exploring its development arc helps predict the trends that may lie ahead. Thinking about what worked early on – meaning what was read in digital form - use cases where search, find, and quick read were the primary means of interacting with the content, such as encyclopedias and reference works, directories and other data driven compendia.

<!--more-->

This was brilliantly summarized in 2003 by Niko Pfund, OUP’s VP of Academic and Trade Publishing, when he referred to this kind of reading as “extractive, as opposed to immersive.” Extractive reading is an extension of search – its primarily purpose is to “extract” information from searched databases. Extractive reading is easily done...]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Ceci n&#8217;est pas un ebook</title>
		<link>http://www.blackplasticglasses.com/2009/06/04/google-editions-cloud-publishing/</link>
		<comments>http://www.blackplasticglasses.com/2009/06/04/google-editions-cloud-publishing/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 12:23:04 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[Digital Publishing]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[econtent]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Google Book Search]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[XML]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=236</guid>
		<description><![CDATA[It was perhaps the most significant news to break since the launch of the Kindle. Google rolled out its inevitable and longstanding plans to enter the digital content selling arena at BEA, which it has dubbed, Google Editions. Google Editions is cleverly named because it explains what it isn’t (ebooks), where you get it (Google), and, by putting the word Google together with an assumed possessive plural of “Editions,” there is an implied unique quality to these editions that is not found anywhere else. <em><strong>These are not ebooks, these are Google Editions.<!--more--></strong></em>

Google Editions will be composed of content that is currently (or will be) found in the Google Partner Program.  The Partner Program of Google Book Search is the discoverability...]]></description>
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		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>There Will Be Disintermediation</title>
		<link>http://www.blackplasticglasses.com/2009/05/11/disintermediation/</link>
		<comments>http://www.blackplasticglasses.com/2009/05/11/disintermediation/#comments</comments>
		<pubDate>Mon, 11 May 2009 10:28:06 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[App Store]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Audio CD]]></category>
		<category><![CDATA[Authors Guild]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Digital rights management]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[econtent]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iPod]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[publishing]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=183</guid>
		<description><![CDATA[The first two parts of this series, <a href="http://www.blackplasticglasses.com/2009/05/05/content-disruption/" target="_blank">Disruption</a> and <a href="http://www.blackplasticglasses.com/2009/05/06/generation-on-demand/#more-173" target="_blank">Generation On-Demand</a>, explored my own personal content consumption disruption and traced it through the seismic shift in my reading, listening, and watching habits. My experience seems to align with the generational experience of content at one’s fingertips, on-demand. I called this phenomenon Generation On-Demand because this generation has grown up with and expects that everything and anything (content) be available to them, however, whenever, and wherever they want.

<!--more-->

I traced the dramatic decrease in my own immersive reading, music listening, and TV and movie watching in the last few years and cited my ability to work and play whenever and wherever I want as the primary reasons. Accessing...]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Generation On-Demand</title>
		<link>http://www.blackplasticglasses.com/2009/05/06/generation-on-demand/</link>
		<comments>http://www.blackplasticglasses.com/2009/05/06/generation-on-demand/#comments</comments>
		<pubDate>Wed, 06 May 2009 09:52:20 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Authors Guild]]></category>
		<category><![CDATA[Digital Publishing]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[econtent]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iPhone 3G]]></category>
		<category><![CDATA[MP3]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[The New York Times Company]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=173</guid>
		<description><![CDATA[Generation On-Demand is the second of a 3-part series.  The first installment, <a href="http://www.blackplasticglasses.com/2009/05/05/content-disruption/" target="_blank"> Disruption</a>, explored my personal content consumption over the years and ended with the observation that everything that I used to enjoy had now seen a dramatic reduction in consumption. I ended the piece with the question “<em>So if I am not purchasing as many new books and I don’t buy as much new music and I don’t really watch TV and I only watch movies when I want to in my own home, what the hell am I doing with all the time I must have on my hands?</em>" I will now try to answer that question.
<!--more-->

I was interviewed the other day <a href="http://www.penenberg.com/" target="_blank">Adam Penenberg</a>,...]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Bang the DRM Slowly…</title>
		<link>http://www.blackplasticglasses.com/2009/04/06/drm/</link>
		<comments>http://www.blackplasticglasses.com/2009/04/06/drm/#comments</comments>
		<pubDate>Mon, 06 Apr 2009 14:47:58 +0000</pubDate>
		<dc:creator>Evan</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[AAC]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[App Store]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Audio CD]]></category>
		<category><![CDATA[Babjak]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Cory Doctorow]]></category>
		<category><![CDATA[Diken]]></category>
		<category><![CDATA[Dinizio]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[econtent]]></category>
		<category><![CDATA[Evan Schnittman]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[IDG]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iPod]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Kindle]]></category>
		<category><![CDATA[macworld]]></category>
		<category><![CDATA[MP3]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[Smithereens]]></category>
		<category><![CDATA[Sony Reader]]></category>
		<category><![CDATA[XML]]></category>

		<guid isPermaLink="false">http://www.blackplasticglasses.com/?p=24</guid>
		<description><![CDATA[Two weeks ago on NPR’s <a href="http://www.npr.org/templates/story/story.php?storyId=102330373" target="_blank">All Things Considered</a> I had a brief sound bite about DRM (Digital Rights Management) and the music industry. What you didn’t get to hear was the larger point I was trying to pull together – which is that DRM is not bad, nor is it good. It is like any tool, only as good (or bad) as it is implemented.
<!--more-->
DRM has gotten a lot of press over the years as there is a quite vocal group who are politically/philosophically, perhaps even morally opposed to any restrictions on the use of content once disseminated.  I call them the “Anti-DRMers.” They come in many forms – from scholarly archivists to Swedish anarchists.  <a...]]></description>
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		<slash:comments>9</slash:comments>
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